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Binary Finary – The Lost Tracks (Clubbingmagazine)
Download only

Rating: 8 / 10

The long overdue debut album by Binary Finary finally sees its release as digital download only. The English group that created the essential trance tracks “1998” that has been featured on over 60 mix compilations and remixed by Paul Van Dyk was a world wide hit for Binary Finary. Binary Finary is today only a duo consisting of Matt Laws and Stuart Matheson due to an internal struggle in the group.

They have here created 16 great tracks covering trance, progressive, techno and electronica, with that certain touch that only Binary Finary can give the tracks. You can still hear the love of the “old skool” trance here and there that was the building blocks of its popularity in the end of the 90´. The album also includes a fresh new updated version of “1998” and Jose Amnesia has remixed “Freshwater”. You can download each track separately or the whole album. As a special bonus a DJ mixed version of the album is included when you buy the whole album. You can download the album here. (CA) 
Link: Clubbingmagazine
 
 
 
 

Raveline Magazine (Germany) - Rated 5 out of 6 stars

Full review of 'The Lost Tracks' in German: Raveline.de

 
   
DJ Magazine - Sept 2005

4/5 stars in DJ Mag – reviewed by Tim Stark

Binary Finary and Jose Amnesia pres. Cloudbreak – Difference [Enhanced]

Interesting pairing. Binary Finary and Jose Amnesia are both production outfits whom each have one genuine trance anthem apiece under their belts. It’s also true to say that neither artist has subsequently come close to equaling those highs.

Can this outing turn their fortunes around? The original mix of ‘Difference’ is a pretty deep number, but not one that skimps on the harmony, though. Feeling very slow, definitely in the low 130bpm bracket, it’s centered around a chiming main line. Not about to blow you away, it nonetheless has an embryonic charm about it.

Hydroid and Santiago Nino (who’s currently getting props all over for his rework of Hammer and Bennet’s ‘Language’) live large on the remix. Their interpretation immediately feels livelier and generally ‘bright’ in contrast to the original. Using some odd drum arrangements, they crucially catch the attention early on. The chiming synth sound’s like it’s been run through some expensive compression to really make it shine and the percussion is filtered and imaginative. An excellent
remix and a sure sign that these two are going places.

 
 
 

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